Jane’s practice moves fluidly between observation, abstraction, and material experimentation. With a background in architecture, she explores the interplay between structure and spontaneity through drawing and painting. Sketchbook in hand, with a camera ever ready to record, she captures fleeting moments — fragments of place, shifts in light, traces of time.

Drawing is both a way of seeing and thinking — rooted in direct observation, memory, and material exploration.She shifts between macro and micro perspectives, capturing the smallest details and the larger whole, tracing movement and perception through shifting viewpoints. Passionate about watercolour, she works in rhythm with the water cycle —flowing, pooling, evaporating and dispersing across the surface. Her process embraces chance and transformation, allowing water, pigment, and paper to interact organically.

Through mark making, she translates sensory and ephemeral experiences — light and shadow, texture, atmosphere, sound, and touch. She engages deeply with materiality, allowing water, weather and found elements to shape and inform her work. She sources pigments from the landscape. Moving between two – dimensional and three-dimensional explorations, she investigates space, structure, and perception. Her process is one of distillation — paring back, simplifying, and refining — responding intuitively to place through line, form, colour, and surface.